The sky is calling

southern twilight

This was taken one evening when the hole sky looked like a billowing quilt all in shades of purple and salmon and although the western sky was more vibrant the southern view had a more interesting landscape.

morning mist at Hell Gate

This is one of the perks of being an early riser. Taken just after sun rise (though no sun was visible) the mist real gave the Hell Gate at Dartmouth gate a Fairy Realm feel.

fire in the sky at Hell Gate

Though it must seem that I manipulated the color of the sky, this is truly what it looked like that evening at Hell Gate. Though I did have to manipulate the exposure of the for ground to get the wild flowers to join in to the composition. Isn’t it just amazing how a few hours can change a scene.

Northern twilight

Sometimes less IS more.

where the fish hide

With a muted pallet the serenity become the image.

About windfallimages

So here’s a little about me, In 1985 I graduated cum laude from New England College with a BA in Visual Arts. While there, my major interest was photography and I had the pleasure of studying with David MacEachran, Marguerite Walsh, and Farid Haddad. After graduation, I continued my education in art with courses at Notre Dame College in Manchester in computer-generated art with Harry Umen. While there I received 2, second place awards in juried shows at the Manchester Institute of Arts and Sciences. Then I spent two semesters in the UNH woodworking department studying with Lee Schude. In the last 25 years I have used my visual and physical skills to develop a successful design, build and remodeling business. “Windfall Woodworking” With time on my hands due to the down turn in the construction business I have returned to my interest in photography. With the new With the new technology that is available I decided to explore the idea of photography as fine art by using Photoshop to manipulate my images to accentuate the emotion in each photo. Making the photograph look more like a painting seams to make it easier the connect with the underlying emotion of the image.
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